1646 opened the first solo exhibition in The Netherlands by self-taught artist Janek Simon, showing his newest 3D printed sculptures.
Growing up in Poland during the 1980’s amidst post-war dichotomies, Simon developed an anarchist political position and a resistance to reducing the world into categories. Combined with his urge to intrude on overpowering, opaque technologies, Simon sees the DIY approach as a tool to reappropriate technology and to empower people to dismantle simplistic constructs of reality, categorisation and hierarchies.
For his exhibition at 1646, Simon collected a large database of images from websites like Etsy and Ebay, that problematically categorise folkloric sculptures from around the world. He then used machine-learning programs, artificial intelligence, and 3D printing techniques to produce new sculptures that everyone and at the same time no-one can recognise themselves in. This way, Simon’s work is a gesture that brings focus to openness and common grounds, amidst the devastating geopolitical conflicts of current times.