We're currently closed.We will open again on Saturday 6/9 at 19:00

You have

items in your cart

Cihad Caner

Parroting The Parrot

:

02/05/2025 –
– 13/07
13/07/2025

In the exhibition, Parroting The Parrot, Cihad Caner examines how stories about the past are created and who holds the power to define them. Inspired by the rise of Turkish historical TV series across Turkey, Europe, and the Middle East, he explores how entertainment influences collective memory.

In Parroting The Parrot Caner follows the story of Cem Sultan, an Ottoman prince exiled in Europe in the late 1400s, accompanied by his parrot. While mainstream narratives generally portray historical figures as true heroes, this project reimagines Cem as an antihero, challenging traditional depictions of history.

In Caner’s new video, the main character becomes Cem’s parrot, who is there to guide and accompany him during the years away from home. In a playful way, the parrot’s perspective shows us how entertainment can help maintain the way history is told.  Through its lens, the project delves into storytelling’s complexities and the risks of reinforcing singular perspectives. It also makes us wonder if alternative voices can offer new ways of understanding the past and question the ways in which history is constructed and circulated in our time.

Much of the exhibition is inspired by historical artefacts, such as The Lady and the Unicorn tapestries housed at the Musée de Cluny in Paris. Featuring crescent moon motifs associated with the Muslim world, these tapestries serve as a visual anchor for the project’s blending of myth and reality. Combining true facts and fiction, Caner’s work challenges dominant recounts of history and invites us to reconsider what influences our understanding of the past.

__

The video works in this exhibition include segments in Ottoman Turkish, contemporary Turkish, and Dutch, with English subtitles. Currently, no dutch subtitles or audio description is available.

Accessibility note: The passage to the back area is 60 cm wide and is therefore not accessible for wheelchair users. The exhibition space is intentionally dimly lit, which may affect visibility, especially when moving through the space.

For questions or more information about accessibility, please contact us at welcome@1646.nl, or visit our accessibility page.

Info

About Cihad Caner (b. 1990) is an artist based in Rotterdam and Brussels. His practice explores the politics of the image through the mediums of video, photography, music, motion-capture, and CGI. Caner’s research-driven practice revolves around (re)presentation, language, marginalisation and alterity. His fictional CGI characters are often multi-lingual protagonists in non-linear, metaphorical narratives that employ humour, absurdity, and poetry to critique the status quo. Recently he has exhibited at Akademie der Künste, Berlin; Kunstinstituut Melly, Rotterdam, The Finnish Museum of Photography, Helsinki; TENT, Rotterdam; Kasseler Kunstverein, Kassel; Nest, Den Haag; Shahin Zarinbal, Berlin; Kunsthalle Baden-Baden; Július Koller Society, Bratislava; Kunsthal Mechelen, Mechelen; Nieuwe Instituut, Rotterdam, and İstanbul Modern, İstanbul, among others. Caner was a resident artist at the Rijksakademie van Beeldende Kunsten (2021-2023).
Links
Supported by

Share

Related