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Antoni Hervàs

The Rubbery

Chaos instead of noise, a performance by PLOM.



Antoni Hervàs presented for the Background Evening of his exhibition The Rubbery: Chaos instead of noise, a performance by PLOM.

For his first performance in the Netherlands, PLOM, the amorphous entity that creates electronic music, will interact with the exhibition by Antoni Hervàs’ exhibition ‘The Rubbery’. PLOM shared and spread the essence of the multiple forms that can adopt what is living on the shadows of the unknown.

The sound of PLOM consists of subtle rhythmic aberrations, melodies of precise structures that coexist in an unforeseen magma. Lead holds together each of the small fragments of stained glass, forming a fractal beauty taken to the limit that, suddenly, like the blow from a stone, breaks into a thousand pieces to be rebuilt again in unexpected ways.

Pau Magrané and his alter ego PLOM (Reus, 1984) is an artist, musician and designer. One of his alter egos is PLOM. His music label Nyapster releases music in various physical formats. Magrané studied Fine Arts at the Kunsthochschule Berlin–Weissenssee and the University of Barcelona, and has a Master in Video Game Creation from IDEC – Pompeu Fabra University.

He contributes on the radio program “Club Marabú Lu + 9/ Sonido Pepi” at dublab station. Has performed as PLOM in DEMO (La Capella 2017), MACBA és viu (MACBA, 2016), OHM Gallery, (Berlin, 2015), Mercuri Splash (Fundació Miró, Barcelona, 2015), L’acció dissolvent (Centre Social Autogestionat Lo Maset, Deltebre, 2015), De Profvndis / Sessions Polivalents 2015, (Hangar, Barcelona, 2015), Halloween Death Camp (Freedonia, Barcelona, 2015) and Grandopening! (Fireplace Project, Barcelona, 2015). He has collaborated with artists including Black Tulip, Ariadna Parreu, Grosgoroth, Roger Serret i Ricou, Jose Begega, Lucía C. Pino, Antoni Hervàs, Claudia Pagès, David Bestué, Paco Chanivet and Sara Deubieta.


About Antoni Hervàs: Hervàs (1981, Spain) studied fine arts at the University of Barcelona (2006) and completed coursework in engraving and printing at the Escola de la Llotja. He has exhibited solo at the Espai Cultural Caja Madrid, Barcelona (2012), Galeria Sis, Sabadell (2015), Agón at the Galeria etHALL, Barcelona (2016) and La Capella, Barcelona (awarded with the Barcelona’s visual arts grant of 2016). Hervàs has participated in many group exhibitions, including at Centre d’Art Contemporani de Barcelona (2014), MACBA, Barcelona (2016) and La casa encendida, Madrid (2016). As part of his artistic practice, Hervàs has led Fènix (2013-2016), Sant Andreu Contemporani’s educational programme, which involves various artists from Barcelona in its different stages. He has also carried out many self-managed publishing projects like Grapandmopotheper (2009), tributo a Ray Harryhausen (Degénero Ediciones, 2014) and La Trama for Mataró Art Contemporani (2015). He has also curated periodic exhibitions like Domestica, together with Ariadna Parreu (since 2009), and performative events like Mercuri Splash, together with David Bestué, for the fundació Miró (2015).


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